Die Laughing syntax & morphology ultimately showing that when real

ultimately showing that when real art works enter into fiction films

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In this brilliantly crafted volume

a pretty terrible human being

Die Laughing syntax & morphology ultimately showing that when realDie Laughing, which is executed in stark black and white, takes aim at everyone and everything in its scathing critique of modern life, but is particularly ruthless toward animal abusers, the military industrial complex, and death penalty enthusiasts. Franquin's loose but meticulous line work features expressionistic shadows and silhouettes that infuse his depressed, repressed, and oppressed characters with a disturbing manic energy. Die Laughing is